A futile quest for peace of mind
The Burrow
Dates
1995
World Premiere - National Theatre
Melbourne
(10 - 19 August)
The Burrow takes its title from one of the last stories Kafka completed, an allegory of Kafka’s own insecurity and futile quest for peace of mind through feverish creative effort. The production incorporates a highly original use of visual theatre techniques in one of the company’s most striking new works.
Smetanin’s music is characterised by a forceful, sometimes abrasive hyper-energetic rhythmic drive with roots in sources as diverse as Stravinsky, ‘funk’, Russian folk, hard rock and Xenakis.
Instrumentation: 2 sop., mez., alto, 2 ten., bar., bass, vlc., 2 cbs., fl., sax., bar. sax., tpt., pf., sampler, 2 percs.
“I don’t recall being so impressed since [the first time I saw] Pina Bausch’s Wupperthaler Tanztheater”
Score by
Michael SmetaninLibretto by
Alison CroggonMusical direction by
Roland PeelmanDesigned by
Dan PotraLighting Design by
David Murray