Loved it so much!
Dragon Ladies Don’t Weep (Taiwan 2023) – Facebook
Amazing. Still ringing in my mind.
My Self in That Moment (2022) – Facebook
I have had a few days to reflect on Saturday’s performance. I sat in the Substation in the dark mesmerised – visually, aurally, and intellectually. My jaw was on the ground for a lot of the second half because I was overloaded with the poetry of this work. I enjoyed the space you gave us to fill between the ideas presented – giving us the chance to interpret the work from our own unique perspective – is there is even a word for the opposite of didactic? I learnt a lot from the work, both artistically and as a human. Thanks for coming together as a team to present something so personal and universal.
My Self in That Moment (2022) – Facebook
Saw the new work by ( at ) ChamberMadeOrg at ( at ) TheSubstation last night. It was awesome and weird and everything you want from a new Chamber Made creation. One of Melbourne’s true gems. On til tomorrow night!
My Self in That Moment (2022) – Twitter
I enjoyed the conversations between the artists and demonstrations of the tools and techniques used in the show. I also enjoyed seeing the show after attending the Salon because it felt like having the extra technical and conceptual context enhanced the experience of the show.
Salon: SYSTEM_ERROR (2021) – Audience survey
I enjoyed the interaction amongst the work’s creators, particularly the spontaneous demonstration of the “instrument” at the centre of the work. Also, the very well-informed questions from the audience which served to illuminate many of the technical aspects of the work.
Salon: SYSTEM_ERROR (2021) – Audience survey
The Salon was very revealing of the time, discipline and resources required to pursue an artistic idea to its fullest realisation.
Salon: SYSTEM_ERROR (2021) – Audience survey
I appreciate the close contact between artist and audience.
Salon: SYSTEM_ERROR (2021) – Audience survey
Best show this year.
SYSTEM_ERROR (2021) – Facebook
I found this event to be incredibly generous – from both the artists in sharing their artistic processes as well as from Chamber Made in creating professional and considered documentation.
Little Operations: Feeling Counts (2020) – Audience survey
Wonderful discussion of how you might make a sonic portrait of and with Margaret Leng Tan: “the essence of who I am” in music.
Salon: Dragon Ladies Don’t Weep (2020) – Twitter
It was an inspiring and though provoking discussion about pending social issues and technological/ artistic philosophy.
Salon: Future Human (2019) – Audience survey
This was my first Salon and I thoroughly enjoyed it and would be keen to attend more in the future.
Salon: Future Human (2019) – Audience survey
The panel was articulate and well-prepared, presenting thoughtful insights on the topic. The conversation and ideas it provoked continued well after the Salon ended.
Salon: Future Human (2019) – Audience survey
It was EPIC and beautiful.
Diaspora (2019) – Facebook
A remarkable experience.
Diaspora (2019) – Facebook
Pray for a return season.
Diaspora (2019) – Twitter
Characterised by a highly ritualised format, chanting and dissonant soundscape, Chamber Made’s Dybbuks is both an entrancing, eerie and unsettling journey through spiritual possession and purification that forms a powerfully visceral theatrical experience.
Dybbuks (2018) – Twitter
Just saw this. Visceral is putting it mildly- an extraordinary coming together of these female artists. I was utterly possessed! Don’t miss it!
Dybbuks (2018) – Facebook
I saw the first preview of Samara Hersch’s Dybbuks presented by Chamber Made and Theatre Works on Tuesday night & it was mind blowing – beautiful, ecstatic, moving & totally original. LOVED IT SO MUCH!!! Dybbuks (2018) – Facebook
It was wonderful to experience the work so intimately and be able to openly discuss our opinions in a friendly environment. I love seeing and discussing works in development. I found this to be a very humbling experience.
Little Operations: The Lost Art of Listening (2018) – Audience survey
Fascinating. The complexity of the many channels of sound was thought provoking.
Little Operations: The Lost Art of Listening (2018) – Audience survey
The sound created was beautiful, restrained, tonal. Being close to the performer assisted in concentrating on the music.
Little Operations: The Lost Art of Listening (2018) – Audience survey
