Monique Grbec is a child of the Stolen Generations, descended from the Wiradjuri people of NSW. She is interested in identity, the generational effects of institutionalisation, and the white Australia policy. Her life work is fundamentally text based and addressed through the lens of Indigenous Standpoint Theory. Her current work is multimedia installation. She is a Blak Critic and regular contributor to Witness Performance.
Chamber Made acknowledges the traditional owners of the land on which we are based and where we make work, the Boon Wurrung and Woiwurrung (Wurundjeri) peoples of the Kulin Nation. We pay our respects to Elders past and present and to all First Nations people throughout Australia.
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