Dragon Ladies Don’t Weep: Sydney Opera House UnWrapped

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Photo credit: Pier Carthew

Due to COVID-19 and its many associated impacts, the Sydney Opera House UnWrapped season of Dragon Ladies Don’t Weep will not be going ahead. We are of course disappointed not to bring this work to Sydney audiences and look forward to future presentation seasons when our theatres are  once again open. Please keep an eye on our website and eNews for future updates.

THIS SEASON HAS BEEN CANCELLED

Hot off the heels of its world premiere at Arts Centre Melbourne, as part of Asia TOPA, Dragon Ladies Don’t Weep heads north to be part of the Sydney Opera House UnWrapped season.

A work that sweeps across the senses, Dragon Ladies Don’t Weep is a sonic portrait of new music icon Margaret Leng Tan – an evocative exploration of memory, time, control and loss.

New York-based Singaporean Tan forged a path as a major force within the American avant-garde, serving as muse for such giants as John Cage and George Crumb, and transforming the toy piano into a serious instrument. Her stellar career is a touchstone for the past 40 years of experimental musical innovation.

Dragon Ladies Don’t Weep combines spoken and recorded text, projected images and original music for prepared piano, toy piano, toys and percussion by Tan’s long-term collaborator Erik Griswold.

Created by a team of Singaporean and Australian artists, including director Tamara Saulwick, video designer Nick Roux, and dramaturg Kok Heng Leun and performed by Tan, this cross-cultural collaboration is an evocative collage of the forces that have shaped Tan’s life and how music has been both her passion and her refuge.

Dragon Ladies Don’t Weep is a Chamber Made and CultureLink Singapore co-production and is co-commissioned by Asia TOPA and Esplanade – Theatres on the Bay. This activity received grant funding from the Australian Cultural Diplomacy Grants Program of the Department of Foreign Affairs and Trade and is supported by Creative Victoria, Australia Council for the Arts, National Arts Council (Singapore), The SUBSTATION, Playking Foundation, Asia TOPA, Sidney Myer Fund and the Robert Salzer Foundation. Chamber Made receives funding from Creative Victoria and City of Melbourne.